21/06/04 08:13 Filed by Saswat Pattanayak in:
Saswat | Memories
Following was my screening of a movie and
contextualization of it in the class of Prof.
Nirupama Prakash. Dr McAdams too came by to attend
the class.
Tracing the utility values of films in understanding
society and predicting social characters to inspire
movies have been the preoccupation of post-colonial
discourses. In addition, there is a need of
subjective positioning of the audience since societal
study involves the historical frameworks of human
sufferings as well as living patterns emanating from
this specific background.
Any attempt to understand women in a uniquely complex
Indian society requires for subtler examination of
core issues that the present film Mrityudand (Death
Penalty) raises. Any apparent problem we are about to
witness in the movie directs to multiple layers of
societal adjustments. At the base, they will appear
rudimentary and reflexive. But as we have studied in
the earlier classes already, there are historical
factors behind the reinforcement of certain values in
any economically backward region.
Mrityudand chiefly raises the following questions:
Religious fanaticism: Is communalism a prevailing
threat to the world order now or is it a historically
existing order that is increasingly being challenged
by empowered women?
Caste conflicts: Lower caste people are the ‘other’
in any society. They are pronounced as racially
inferior. Who dictates the terms and defines the
caste levels?
Caste politics: Why does the lower caste ‘play the
card’? What is the histiography of caste politics? Is
caste politics (especially when almost half of India
is ruled via caste politics) a necessary evil?
Gender: Why doesn’t the ‘other’ gender unite, despite
needs? Is it a family concern or a societal issue? Is
there a need to distinguish family from society?
Culture: Is culture all pervading or differentiable?
Is there anything such as a low culture and high
culture?
Class issue: Are every other type of distinctions
going to dissolve with distinct socio-economic class
formations? Does radical uprising of the oppressed
provide any solution? Or is it the only solution?
Information:
Duration of Hindi film Mrityudand is 2 hours 34
minutes. Released in 1997, it is directed by Prakash
Jha.
Jha, an alternative cinema maker, has to his credit
other ‘social’ theme based films like Hip Hip Hurray
(1984), Damul (1985), Bandish (1996), (1996), Rahul
(2001) and Gangaajal (2003).
Other films that might interest you:
Damini (1993), Tejasvini (1994), Astitva (2000) and
Lajja (2001)
Tags: Saswat, Academic, Feminism, Film, Bollywood